課程名稱 |
哥德風格的復興:文學與建築 The Gothic Revival: Literature and Architecture |
開課學期 |
100-2 |
授課對象 |
學程 歐洲暨歐盟研究學程 |
授課教師 |
吳雅鳳 |
課號 |
FL7216 |
課程識別碼 |
122EM3190 |
班次 |
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學分 |
3 |
全/半年 |
半年 |
必/選修 |
選修 |
上課時間 |
星期一@,5,6(~14:10) |
上課地點 |
外文會議室 |
備註 |
本課程以英語授課。開課單位:外文系。學程專業課程: A、B方案。
限碩士班以上 總人數上限:15人 |
Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1002gothic_revival |
課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
課程編號:122 M3190 哥德風格的復興:文學與建築
教師: 吳雅鳳 |
課程目標 |
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課程要求 |
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預期每週課後學習時數 |
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Office Hours |
另約時間 備註: Please make appoinment with me via email. |
指定閱讀 |
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參考書目 |
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評量方式 (僅供參考) |
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週次 |
日期 |
單元主題 |
Week 1 |
2/20 |
General Introduction: Gothic Architecture and its Revival
Video viewing: Cathedral
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Week 2 |
2/27 |
Holiday |
Week 3 |
3/05 |
Gothic Revival I;
1. Mallgrave, Harry Francis, ed. An Anthology from Vitruvius to 1870. vol. 1. Oxford: Blackwell, 2006. 362-389. [PDF uploaded] (密集NA2500 A7115 2006 v.1)
2. Lovejoy, Arthur O. “The First Gothic Revival and the Return to Nature.” Modern Language Notes 47.7 (Nov. 1932): 419-46. [PDF uploaded]
3. Leach, Neil, ed. Rethinking Architecture: a Reader in Cultural Theory. London: Routledge, 1997.
[e-book available *Please download (and print, if you wish) for yourself: [with altered page numbers] <http://lib.myilibrary.com/Open.aspx?id=28034&loc=&srch=undefined&src=0>]
Introduction xiii-xxi
Benjamin 25-41
Bachelard and Heidegger 86-124
Lefebvre 139-46
Eco 182-204
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Week 4 |
3/12 |
Gothic Revival II;
1. Helsinger, Elizabeth K. “History as Criticism.” Ruskin and the Art of the Beholder. Cambridge, Mass.: Harvard UP, 1982. 140-63 (+notes 318-20). [Xerox]
2. Silver, Sean R. “Visiting Strawberry Hill: Horace Walpole’s Gothic Historiography.” Eighteenth-Century Fiction 21.4 (Summer 2009): 535-64. [PDF]
3. Baridon, Michel. “The Gothic Revival and the Theory of Knowledge in the First Phase of the Enlightenment.” Exhibited by Candlelight. Sources and Developments in the Gothic Tradition. Ed. Valeria Tinkler-Villani, et al. Amsterdam: Rodopi, 1995. 43-56. [Xerox]
4. Crook, J. M. “Ruskinian Gothic,” The Ruskin Polygon. Essays on the Imagination of John Ruskin. Ed. John Dixon Hunt and Faith M. Holland. Manchester: Manchester UP, 1982. 65-93. [Xerox]
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Week 5 |
3/19 |
Pugin I: Contrasts;
1. Pugin, A. W. N. Contrasts: or, A Parallel between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day: Shewing the Present Decay of Taste. 2nd ed. 1841. Leicester and New York: Humanities Press, 1969. [Xerox]
2. Wagner, Corinna M. “‘Standing Proof of the Degeneracy of Modern Times’: Architecture, Society, and the Medievalism of A. W. N. Pugin.” Beyond Arthurian Romances: The Reach of Victorian Medievalism. Ed. Lorretta M. Holloway and Jennier A. Palmgren. New York: Palgrave Macmillan, 2005. 9-37. [Xerox]
3. Lankewish, Vincent A. “Victorian Architectures of Masculine Desire.” Nineteenth Century Studies 14 (2000): 93-119.[xerox]
4. Patrick, James. “Newman, Pugin, and Gothic.” Victorian Studies 24.2 (Winter 1981): 185-207. [PDF]
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Week 6 |
3/26 |
No class |
Week 7 |
4/02 |
John Ruskin I: Seven Lamps of Architecture;
1. Ruskin. Seven Lamps of Architecture [Xerox]
2. Helsinger, Elizabeth. “Ruskin and the Politics of Viewing: Constructing National Subjects.” Nineteenth-Century Contexts 18.2 (1994): 125-46. [PDF]
3. Brooks, Michael W. “Describing Buildings: Ruskin and Nineteenth-Century Architectural Prose.” John Ruskin and Victorian Architecture. New Brunswick: Rutgers UP, 1987. 61-74. [Xerox]
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Week 8 |
4/09 |
Ruskin II: The Stones of Venice;
1. The Stones of Venice, vol. 1 [Xerox]
2. O’Gorman, Francis. “Ruskin’s Aesthetic of Failure in The Stones of Venice.” Review of English Studies: The Leading Journal of English Literature and the English Language 55.220 (June 2004): 374-91. [PDF]
3. Casaliggi, Carmen. “Lessons of Multiple Perspectives: Ruskin, Turner and the Inspiration of Venice.” Ruskin in Perspective: Contemporary Essays. Ed. Carman Casaliggi and Paul March-Russell. Newcastle: Cambridge Scholars Publishing, 2007. 177-98. [Xerox] |
Week 9 |
4/16 |
Ruskin III: The Stones of Venice;
1. The Stones of Venice, vol. 2 [Xerox]
2. Chatterjee, Anuradha. ‘Tectonic into textile: John Ruskin and the changing meanings of wall and ornament.’ Textile: the journal of cloth and culture (2008). [PDF]
3. Swenarton, Mark. “Ruskin and ‘The Nature of Gothic.” Artisans and Architects: the Ruskinian Tradition in Architectural Thought. Macmillan, 1989. 1-31. [Xerox]
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Week 10 |
4/23 |
Ruskin IV: The Stones of Venice;
1. The Stones of Venice, vol. 3 [Xerox]
2. Siegel, Jonah. “Black Arts, Ruined Cathedrals, and the Grave in Engraving: Ruskin and the Fatal Excess of Art.” Victorian Literature and Culture 27.2 (1999): 395-417. [PDF]
3. Bullen, J. B. “Ruskin, Venice, and the Construction of Femininity.” Review of English Studies 46 (1995): 502-20. <http://res.oxfordjournals.org/archive/>. [PDF]
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Week 11 |
4/30 |
William Morris I: arts and crafts movement;
1. Morris, William. “The Lesser Arts” and “Art under Plutocracy.” William Morris on Art and Socialism. Ed. Norman Kelvin. New York: Dover, 1999. vii-xii; 1-18; 108-127. [Xerox]
2. Livesey, Ruth. “William Morris and the Aesthetics of Manly Labour.” Socialism, Sex and the Culture of Aestheticism in Britain, 1880-1914. Oxford: Oxford UP, 2007. 18-43. [Xerox]
3. Swenarton, Mark. “The Architectural Theory of William Morris.” Artisans and Architects: The Ruskinian Tradition in Architectural Thought. New York: St. Martin’s P, 1989. 61-95. [Xerox]
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Week 12 |
5/07 |
Morris II: architecture;
1. Morris, William. William Morris on Architecture. Ed. Chris Miele. Sheffield: Sheffield Academic Press, 1996. 52-55; 99-121; 126-156. [Xerox]
2. Jones, Peter Blundell. “Architecture as Mnemonic: The Accumulation of Memories around Morris’s Red House.” Nineteenth-Century Contexts 21.4 (2000): 513-40. [Xerox]
3. Waithe, Marcus. “The Stranger at the Gate: Privacy, Property, and the Structure of Welcome at William Morris’s Red House.” Victorian Studies 46.2 (Summer 2004): 567-95. [PDF]
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Week 13 |
5/14 |
Morris III: News from Nowhere;
News from Nowhere or an Epoch of Rest. Being Some Chapters from “A Utopian Romance.” 1890. New York: Dover Publications, 2004.
1. News from Nowhere Introductory note; chapt. 1-15 [Xerox]
2. Hildebrand, R. Jayne. “News from Nowhere and William Morris's Aesthetics of Unreflectiveness: Pleasurable Habits” English Literature in Transition, 1880-1920 54.1 (2011): 3-27. [PDF]
3. Waithe, Marcus “The Laws of Hospitality: Liberty, Generosity, and the Limits of Dissent in William Morris’s ‘The Tables Turned’ and ‘News from Nowhere.’” The Yearbook of English Studies 36.2 (2006): 212-229. [PDF]
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Week 14 |
5/21 |
Morris IV: News from Nowhere;
1. News from Nowhere Chapt. 16-3 [Xerox]
2. Belsey, Andrew. “Getting Somewhere: Rhetoric and Politics in News from Nowhere.” Textual Practice 5.3 (Winter 1991): 337-51. [PDF]
3. Boos, Florence S. “News from Nowhere and Victorian Socialist-Feminism.” Nineteenth-Century Contexts 14.1 (1990): 3-32. [PDF]
Paper Proposal due |
Week 15 |
5/28 |
Interview on proposals of term paper |
Week 16 |
6/04 |
mini-conference |
Week 17 |
6/11 |
Writing up |
Week 18 |
6/18 |
Paper submitted and individual interview |
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